Журнал
De Kooning's Gesture
Willem de Kooning's gestural abstraction, the controversy of the Woman paintings, and the printmaking years that followed.
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Lichtenstein and the Printed Image Roy Lichtenstein's appropriation of the Ben-Day dot, and how commercial comic-strip printing became fine-art subject matter.
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Rauschenberg's Combines How Robert Rauschenberg's Combines dissolved the line between painting and sculpture by pulling the found object directly onto the canvas plane.
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Rothko and the Color Field Mark Rothko's multiforms and Seagram murals, and the spiritual claims he made for pure relationships of color.
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Warhol's Multiples Andy Warhol's silkscreen practice as a deliberate rejection of the unique, hand-made object, from the Marilyns to the Campbell's Soup cans.