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Robert Hughes, Nothing If Not Critical — the modern and contemporary essays, mapped by movement and period. Open a branch to read its essays.

Scope: excludes Old Masters (Part One) and the Impressionists (Degas, Pissarro)

Post-Impressionist Roots 6 essays

The hinge out of the 19th century and into modern art.

  • Édouard Manet bridge Filed by Hughes under "Into Modernism" — the pivot from realism toward the modern picture.
  • Henri de Toulouse-Lautrec Montmartre, the poster, and lithography as serious art.
  • Vincent van Gogh A two-part essay, plus a companion piece, "Van Gogh and Cloisonnism."
  • Paul Gauguin Symbolism, exile, and the myth of the "primitive."
  • Henri Rousseau The customs-officer "naïf" taken seriously.
  • Auguste Rodin Sculpture's passage into the modern era.
European Modernism 10 essays

Abstraction, Surrealism, Expressionism and the School of Paris.

  • Vasily Kandinsky Pioneer of pure abstraction.
  • Giorgio de Chirico Metaphysical painting; forerunner of Surrealism.
  • René Magritte Surrealism's deadpan logician of the image.
  • Henri Matisse The essay focuses on the Nice period.
  • Pablo Picasso "Late Picasso" — the work of the final decades.
  • Max Beckmann German Expressionism and the Weimar reckoning.
  • Oskar Kokoschka Expressionist portraiture and the nervous line.
  • Giorgio Morandi Quiet, obsessive still-life metaphysics.
  • Julio González The invention of welded-iron sculpture.
  • Futurism movement Italy's machine-age avant-garde.
American Modernism & Abstract Expressionism 14 essays

The shift of gravity to New York, and the painters around it.

  • Jackson Pollock The drip and the myth of Abstract Expressionism.
  • Mark Rothko "Rothko in Babylon" — the colour-field sublime.
  • Arshile Gorky The émigré bridge into Abstract Expressionism.
  • Lee Krasner An Abstract Expressionist in her own right.
  • David Smith Welded steel — two essays (sculptures & drawings).
  • Morris Louis Stained, poured Colour Field painting.
  • Milton Avery A quiet colourist, precursor to the field painters.
  • Edward Hopper American light, solitude and realism.
  • Thomas Hart Benton Regionalism and the American scene.
  • Diego Rivera Mexican muralism and political painting.
  • Joseph Cornell The poetics of the box and the found object.
  • Norman Rockwell Illustration, Americana and the limits of "art."
Pop & After 5 essays

Mass imagery, the media surface, and new media.

  • Andy Warhol Pop, celebrity and the factory of the image.
  • Roy Lichtenstein The comic-strip dot as high style.
  • James Rosenquist Billboard scale and fragmented Pop.
  • Nam June Paik The pioneer of video art.
  • James Turrell Light and space as the medium itself.
Contemporaries 23 essays

Late-20th-century figuration, Neo-Expressionism, and the art Hughes weighed in his own time.

  • Francis Bacon The body, the scream, and post-war anguish.
  • Willem de Kooning Abstract Expressionism's restless figure-painter.
  • Robert Motherwell The cerebral elder of the New York School.
  • David Hockney British wit, Los Angeles pools and light.
  • R. B. Kitaj Literary, allusive figuration — School of London.
  • Leon Kossoff Thick-impasto London figuration.
  • Howard Hodgkin Abstracted memory in saturated colour.
  • Richard Diebenkorn The Bay Area and the "Ocean Park" abstractions.
  • Saul Steinberg The line that thinks — drawing as art.
  • Komar & Melamid duo Sots Art émigrés; satire of ideology and taste.
  • Philip Pearlstein Cool, clinical realist nudes.
  • Alex Katz Flat, billboard-cool figuration.
  • Susan Rothenberg "New Image" painting; the horse motif.
  • Elizabeth Murray Shaped-canvas, cartoon-charged abstraction.
  • Sean Scully Stripes and blocks — abstraction with weight.
  • Christopher Wilmarth Glass and steel; light-filled sculpture.
  • Louise Bourgeois Psychological, bodily sculpture.
  • Julian Schnabel Neo-Expressionism and the 1980s hype Hughes scrutinised.
  • Jean-Michel Basquiat "Requiem for a Featherweight" — the market myth weighed.
  • Francesco Clemente Italian Transavanguardia.
  • Sandro Chia Transavanguardia's exuberant figuration.
  • Malcolm Morley From Superrealism toward expressive paint.
  • Anselm Kiefer German history, myth and heavy materials.
  • Eric Fischl Suburban psychodrama in paint.
  • Donald Sultan Industrial materials and bold still-life.
Themes & Criticism modern era · not artists

The section's thematic / review essays — included for completeness, not single-artist profiles.

  • Art and Money The 1980s art market and the price of pictures.
  • The SoHoiad Satirical mock-epic verse on the art world.
  • Jean Baudrillard: America Review of the theorist's travelogue.
  • Tom Wolfe: From Bauhaus to Our House On modern architecture and its critics.
  • Brideshead Redecorated On taste, nostalgia and design.
  • Bernard Berenson The connoisseur — a critic, not an artist.
  • English Art in the 20th Century survey A period overview rather than one figure.
  • Deco and Fins survey Art Deco and machine-age design.

Grouping by movement/period is editorial — Hughes orders the book geographically (Into Modernism · Europeans · Americans · Contemporaries). Notes are brief descriptors of each essay's subject, not quotations. Built from the book's table of contents.