Критики
Robert Hughes, Nothing If Not Critical — the modern and contemporary essays, mapped by movement and period. Open a branch to read its essays.
Scope: excludes Old Masters (Part One) and the Impressionists (Degas, Pissarro)
Post-Impressionist Roots 6 essays
The hinge out of the 19th century and into modern art.
- Édouard Manet bridge Filed by Hughes under "Into Modernism" — the pivot from realism toward the modern picture.
- Henri de Toulouse-Lautrec Montmartre, the poster, and lithography as serious art.
- Vincent van Gogh A two-part essay, plus a companion piece, "Van Gogh and Cloisonnism."
- Paul Gauguin Symbolism, exile, and the myth of the "primitive."
- Henri Rousseau The customs-officer "naïf" taken seriously.
- Auguste Rodin Sculpture's passage into the modern era.
European Modernism 10 essays
Abstraction, Surrealism, Expressionism and the School of Paris.
- Vasily Kandinsky Pioneer of pure abstraction.
- Giorgio de Chirico Metaphysical painting; forerunner of Surrealism.
- René Magritte Surrealism's deadpan logician of the image.
- Henri Matisse The essay focuses on the Nice period.
- Pablo Picasso "Late Picasso" — the work of the final decades.
- Max Beckmann German Expressionism and the Weimar reckoning.
- Oskar Kokoschka Expressionist portraiture and the nervous line.
- Giorgio Morandi Quiet, obsessive still-life metaphysics.
- Julio González The invention of welded-iron sculpture.
- Futurism movement Italy's machine-age avant-garde.
American Modernism & Abstract Expressionism 14 essays
The shift of gravity to New York, and the painters around it.
- Jackson Pollock The drip and the myth of Abstract Expressionism.
- Mark Rothko "Rothko in Babylon" — the colour-field sublime.
- Arshile Gorky The émigré bridge into Abstract Expressionism.
- Lee Krasner An Abstract Expressionist in her own right.
- David Smith Welded steel — two essays (sculptures & drawings).
- Morris Louis Stained, poured Colour Field painting.
- Milton Avery A quiet colourist, precursor to the field painters.
- Edward Hopper American light, solitude and realism.
- Thomas Hart Benton Regionalism and the American scene.
- Diego Rivera Mexican muralism and political painting.
- Joseph Cornell The poetics of the box and the found object.
- Norman Rockwell Illustration, Americana and the limits of "art."
Pop & After 5 essays
Mass imagery, the media surface, and new media.
- Andy Warhol Pop, celebrity and the factory of the image.
- Roy Lichtenstein The comic-strip dot as high style.
- James Rosenquist Billboard scale and fragmented Pop.
- Nam June Paik The pioneer of video art.
- James Turrell Light and space as the medium itself.
Contemporaries 23 essays
Late-20th-century figuration, Neo-Expressionism, and the art Hughes weighed in his own time.
- Francis Bacon The body, the scream, and post-war anguish.
- Willem de Kooning Abstract Expressionism's restless figure-painter.
- Robert Motherwell The cerebral elder of the New York School.
- David Hockney British wit, Los Angeles pools and light.
- R. B. Kitaj Literary, allusive figuration — School of London.
- Leon Kossoff Thick-impasto London figuration.
- Howard Hodgkin Abstracted memory in saturated colour.
- Richard Diebenkorn The Bay Area and the "Ocean Park" abstractions.
- Saul Steinberg The line that thinks — drawing as art.
- Komar & Melamid duo Sots Art émigrés; satire of ideology and taste.
- Philip Pearlstein Cool, clinical realist nudes.
- Alex Katz Flat, billboard-cool figuration.
- Susan Rothenberg "New Image" painting; the horse motif.
- Elizabeth Murray Shaped-canvas, cartoon-charged abstraction.
- Sean Scully Stripes and blocks — abstraction with weight.
- Christopher Wilmarth Glass and steel; light-filled sculpture.
- Louise Bourgeois Psychological, bodily sculpture.
- Julian Schnabel Neo-Expressionism and the 1980s hype Hughes scrutinised.
- Jean-Michel Basquiat "Requiem for a Featherweight" — the market myth weighed.
- Francesco Clemente Italian Transavanguardia.
- Sandro Chia Transavanguardia's exuberant figuration.
- Malcolm Morley From Superrealism toward expressive paint.
- Anselm Kiefer German history, myth and heavy materials.
- Eric Fischl Suburban psychodrama in paint.
- Donald Sultan Industrial materials and bold still-life.
Themes & Criticism modern era · not artists
The section's thematic / review essays — included for completeness, not single-artist profiles.
- Art and Money The 1980s art market and the price of pictures.
- The SoHoiad Satirical mock-epic verse on the art world.
- Jean Baudrillard: America Review of the theorist's travelogue.
- Tom Wolfe: From Bauhaus to Our House On modern architecture and its critics.
- Brideshead Redecorated On taste, nostalgia and design.
- Bernard Berenson The connoisseur — a critic, not an artist.
- English Art in the 20th Century survey A period overview rather than one figure.
- Deco and Fins survey Art Deco and machine-age design.
Grouping by movement/period is editorial — Hughes orders the book geographically (Into Modernism · Europeans · Americans · Contemporaries). Notes are brief descriptors of each essay's subject, not quotations. Built from the book's table of contents.